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We begged for one more day from our friends at onOne and they agreed. So here's one more chance to save a lot of money. Get the Perfect Photo Suite today for only $349.95. That's a $150 savings off the regular price. Also, when Perfect Layers is released in a few weeks, you will be entitled to download the full version for free.

New in Perfect Photo Suite 5.5 is the next generation of Genuine Fractals now called Perfect Resize, with improved resizing controls and gallery wrap feature, new resizing algorithm, and more. Perfect Photo Suite 5.5 also features the all new Perfect Layers
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for adding a layered workflow for Lightroom and Aperture, and exciting new effects and frames in PhotoTools and PhotoFrame.

All of the products in the Perfect Photo Suite 5.5 will work as plug-ins for Photoshop, Lightroom, and Aperture. But now, for the first time, five of the seven products in the Perfect Photo Suite will work as standalone applications, giving you the ultimate work-flow flexibility. Only PhotoTools and Mask Pro will require Photoshop.

American Photo Magazine awarded the Perfect Photo Suite their Editor's Choice award for Top Image Editing Software and the professional photographers who read Studio Photography voted the Perfect Photo Suite the best plug-in for Adobe Photoshop in their Reader's Choice Awards.

(posted by Jennifer Apple for
I like this tutorial from Bittbox on how to create textures in Photoshop witout using brushes. From the intro: I give away a LOT of stuff here on BittBox, mainly textures and brushes. The truth is, many of the textures are manufactured using recycled images I already have hanging around on my hard drive. I want to share one of my favorite ways to quickly add a little extra to a rather uninteresting texture, without using Photoshop brushes.

(posted by Jennifer Apple for
Russell Brown has posted a quick Adobe Eazel for the iPad Video Tutorial.

(posted by Jennifer Apple for
I've been trying out the Sun Sniper camera strap and love the way it feels around my neck. Usually after a few hours my Rebel attached by a regular strap starts to pull on my neck and shoulders. But not with the Sun Sniper. This strap is like a sling, with the camera hanging by your side, near your hip. And it's much easier to swing it up and get it ready for a shot from that position. But mostly it's about comfort and a really well balanced fell around the neck. Here's a little bit more about this product:

Too many photographers - both amateur and professional - still depend on cam
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era straps that hang around their necks, causing unnecessary neck and back aches and making what should be simple maneuvers incredibly difficult. European Sun Sniper camera straps, the next generation of camera strap technology, are now being distributed across the U.S. by Bron Imaging. Sun Sniper straps provide unrivaled comfort, convenience and security for all passionate shooters and are recommended by physicians and award-winning photographers alike. The Sun Sniper line of camera straps features:

* An ergonomic “sling” design that distributes the weight of the camera and lens across the chest and rests the camera at the user’s hip, reducing strain on the neck, back and shoulders and preventing hunching forward as often happens with traditional camera straps

* A steel anti-theft wire inside the design to prevent would-be thieves from cutting the strap and stealing your camera. Sun Sniper is so confident in its product, the company even offers a $500 insurance policy if a thief is able to cut the strap and steal the camera.

* Connections to any camera’s threaded tripod screw via a stainless steel ball bearing connector that allows the camera to freely spin – reducing sway and enabling photographers to quickly draw into shooting position

* A single connection point compared to traditional neck straps that connect to two non-moving eyelets. This allows for fluid maneuvering of the camera. For example, when switching from a portrait to landscape shot.

* A shock absorber that eliminates any jarring – both to the body and camera – that may result from jumping, running or climbing.

Find out more about the Sun Sniper Pro and the Sun Sniper Compact at

(posted by Jennifer Apple for
Adobe has posted the 30-day free trial download of Design Premium 5.5.

To help you evaluate Adobe's software the "try and buy" versions offer almost every feature and function of the product for you to test-drive. In most cases, the trials can easily be converted to purchased versions without needing to reinstall the software. The trial period begins on the first day you launch the software and continues for 30 days. When the trial expires, you must purchase the software to continue using it. To start the trial, launch your software and click the "Start Trial" button on the first sc
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reen that loads.

To uninstall your trial version, close any open Adobe software on your computer and do the following: In Windows, open the Windows Control Panel and double-click Add or Remove Programs. Select the product you want to uninstall, click Change/Remove, and then follow the onscreen instructions. In Mac OS, double-click the product installer in Applications > Utilities > Adobe Installers. Authenticate as an administrator, select Uninstall Components, and then follow the onscreen instructions.

If you have tried an individual product such as Flash Professional CS5.5, you can either convert that directly to the same product or convert it to one of the Creative Suite 5.5 editions that contains Flash Professional. Alternatively, if you tried an edition of Creative Suite 5.5 but decide to buy an individual component that is part of that edition, you can simply enter the serial number for the purchased product to convert your trial to the individual component you purchased.

(posted by Jennifer Apple for
Here's an easy way to get a free copy of Topaz Lens Effects. First go to Topaz Labs and download the free trial of Lens Effects. Once you have it, create something unique using one or more of the filters and then email it to us at

Please keep the file size down. Save as a 72dpi image that is not wider than 525 pixels across. We'll pick 5 winners and publish their entries when we announce the winners. Contest ends on May 25th. Good luck!

Topaz Lens Effects, which simulates 20 different styles of filters, lenses and specialty cameras, an
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d includes over 150 presets, provides photographers with the flexibility and convenience of adding in-camera enhancements after the shot. With Lens Effects, users can create realistic enhancements for emphasizing focal points, creating bokeh to blur distracting backgrounds, adding vignettes, and balancing color tone - in just a few clicks. Also achievable with Topaz Lens Effects, is a variety of other popular photography styles such as miniatures, fisheye distortions, motion blur and more, for countless ways to take images to the next level.

Topaz Lens Effects is a plug-in that works with Photoshop, Photoshop Elements and PaintShop Pro. It is compatible with Windows XP or later and Intel-based Macs running OS X 10.5 or later. Photographers and graphic designers looking for an easier and more affordable way to achieve lens, camera and filter effects are invited to try out the new Topaz Lens Effects plug-in for free using the 30-day free trial.

(posted by Jennifer Apple for
Ben Long has posted Histograms Are the Best Photography Tool You Already Own: Part 2, that walks you through the use of histograms in Photoshop (download a free trial). From the into:

In the first part of this series, I introduced histograms: handy graphs generated by cameras and image-editing software that you can use to analyze a photo's exposure. Part 2 of this series will concentrate on using histograms as a tool for shooting better photographs.

Knowing what's wrong with your current exposure doesn't do you much good if you don't know how to fix your exposure. I'll s
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how you how to adjust exposure on almost any camera (and even some cell phones). But first, let's make sure we have the same idea of what exposure is and how it affects your photography.

What Is Exposure?
To understand exposure, sneak out of work right now and see a matinee at a movie theater. (If you get caught, tell your boss that it's professional development—part of your photography education.)

When the movie is over, leave the theater out of the back door. As you step from the dark movie theater into the bright afternoon light, you'll be momentarily blinded as your eyes adjust to the change in brightness. That's exposure.

Your eyes can adjust how much light they gather. If they gather too much, the world washes out to bright white. If they can't gather enough, you stumble around in the dark. To control how much light is gathered, the size of your pupil changes, opening wider to allow more light and closing down to reduce the amount of light.

Your camera works the same way. If there's too much light striking the sensor, the image has parts that are blown out to complete white. Too little light, and some parts will be complete black. In addition to losing detail in highlights and shadows when an image is over- or underexposed, the overall brightness of the photo can affect how colors look and the overall atmosphere of a scene.

(posted by Jennifer Apple for
From Deke at One of my favorite flavors of Deke’s Techniques is the project that you can make yourself from nothing but Photoshop. This week, Deke shows you how to create a ‘talk-show’ curtain from pure pixels and a combination of Photoshop filters. This curtain may look familiar, having provided a visually textured background for the 3D pie chart that Deke made during last week’s Techniques episode. This week, Deke shows how he made it, starting with a completely new document, applying the Render > Fiber filter, adding a little blur and some layer effects, and ending up with a set
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of gently parted curtains that can serve as a background in your own artwork. Click here to watch Creating a ‘talk show’ curtain from thin (Photoshop) air.

(posted by Jennifer Apple for
Here are the latest Adobe Online Store deals and coupons:

Instant US$100 off Lightroom 3
Get an instant US$100 discount off the full version of Adobe Photoshop Lightroom software. Act now — offer ends May 30, 2011. Enter code at checkout: 5LT100M

Save up to US$40 on select Elements 9 products
Save US$30 after instant discount and mail-in rebate with the purchase of Adobe Photoshop Elements 9, or save US$40 after instant discount and mail-in rebate with the purchase of Adobe Photoshop Elements 9 and Adobe Premiere Elements 9. Buy now — offer ends May 31, 2011. En
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ter code: ELEMENT11

Free shipping on CS5.5 products — only at
Get free ground shipping on commercial and education versions of CS5.5 products through the online Adobe Store. Discount will automatically be reflected in cart. Offer ends May 31, 2011

Get 15% off Lightroom 3 Student and Teacher Edition
Buy now and save 15% off Adobe Photoshop Lightroom 3 Student and Teacher Edition when purchased with Adobe Photoshop CS5 Student and Teacher Edition, Photoshop CS5 Extended Student and Teacher Edition, or any Adobe Creative Suite 5.5 Student and Teacher Edition containing Photoshop CS5 or Photoshop CS5 Extended. Hurry — offer ends May 22, 2011

Creative Suite 5.5 Subscriptions Available Worldwide
Subscription editions of Creative Suite software are just like regular Creative Suite products — they are installed on your computer and provide all the same features and functionality. Find out more about monthly or annual subscriptions. You can also download a free 30 day trial of any Adobe CSS product.

(posted by Jennifer Apple for
From Tom Hogarty’s blog: "The Lightroom and Camera Raw team would like to inform you of a potentially severe bug that was introduced in the Lightroom 3.4 and Camera Raw 6.4 update. Please note that this bug only impacts customers who are saving metadata to JPEG files with a rare characteristic. (JPEG files must have an unusually large block of private camera data included in the file to be susceptible to the bug. To date we’ve only found one camera that generates these large blocks of private data, the HP PhotoSmart R607.)

"This scenario is so rare that we do not believe that it is
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necessary for customers who have already upgraded to revert to the previous version of Lightroom or Camera Raw. However, the bug could cause image corruption which falls within our highest severity category of bugs. The team believes it’s very important to notify you of the risk and provide an estimate of when we will be able to deliver a correction in the form of Lightroom 3.4.1 and Camera Raw 6.4.1. We intend to have these updates available by Friday, May 27th."

(posted by Jennifer Apple for
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